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JAMES BOND

~ Behind the Scenes of James Bond

JAMES BOND

Category Archives: MOVIES

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Interview with Brigitte Millar who has played Dr. Vogel in ‘Spectre’ and ‘No Time to Die’

23 Sunday Jan 2022

Posted by Piotr Zając in Brigitte Millar, No Time to Die, Spectre

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007, actress, Brigitte Millar, Dr. Vogel, interview, James Bond, No Time to Die, Spectre, Vogel

Brigitte Millar is an award-winning actress known to James Bond fans as Dr. Vogel in ‘Spectre’ and ‘No Time to Die’ (click here to watch Brigitte Millar in ‘Spectre’). Find more on her website: www.brigittemillar.com.

Piotr Zajac (bondlocations): Thank you very much that you agreed to meet and talk about your performances in James Bond movies. At first I would like to ask how you became an actress. As far as I know it is rather unusual story.

Brigitte Millar: When I did my A-Levels in Germany I was considering studying fine arts, but my parents didn’t want to hear about that. They thought that I wouldn’t be able to earn a living. I studied languages and then I was working as translator. After a short while, I found that office work was not very interesting. I was actually quite unhappy, because it was so unfulfilling. I eventually retrained and worked in the fitness industry as a fitness instructor at first and then as a fitness manager. Then I was made redundant from my job because the whole company was restructured. My brother said: ‘It is your chance to do something artistic’. I wanted to do a dance course, but it was fully booked. But there were spaces available on an acting course, so my brother said: ‘Why don’t you do this acting course’? At first, I wasn’t keen on it as I didn’t want to do any acting, I wanted the dance. In the end I did the acting and I loved it very much. The rest as they say is history….

It was a long way for you to become an actress. Can you say now that your dream came true?

Coming to acting was a real life saver for me because I had a real midlife crisis and I didn’t know what to do.

I guess that your experience from fitness industry could help you on set of ‘Harry Potter and the Order of the Phoenix’ when you had to fly.

Yes, on a broomstick. The broomstick was mounted on a crane. It could move up and down, sideways and swing around. It was quite high up and it was really scary at first. Once I was up there and learned how to fly, it was a lot of fun. There was a tennis ball in front of me as a focal point that I had to follow with my eyes.

You played in the last two Bond films. How did you get the role in ‘Spectre’?

My agent submitted me to Debbie McWilliams, who is the casting director for Bond. I got a little speech in English that I had to learn for the audition. It had nothing to do with Bond. I came to the CDs office and did the speech. Then she said: ‘You are far too beautiful to be a villainess. Go to the bathroom and wipe off all your makeup.’ So I went to the bathroom to wipe off my makeup and did the speech again. I think that I really got into it. I enjoyed it so much and it must have come across, so they offered me the role.

Am I right saying that you are James Bond fan?

I’ve been watching Bond movies since I was a little girl.

Does it mean that as James Bond fan you wanted to be a part of the franchise so you asked your agent to submit you for a role in the movie?

No. He just submitted me for the role, because Dr. Vogel is a German scientist and I am German and speak German obviously. I was suitable for the role. I was also in the right age bracket.

So it was not on your request?

No. He did it by himself before telling me.

So it was nice surprise for you.

Yes, a very nice surprise.

Were you very nervous during that addition because it was for Bond movie?

Yes, I was a little nervous. I felt confident in the speech and I knew what I was going to do. I’m usually much more nervous afterwards, because then comes the waiting.

How long did you have to wait?

I think it was about 10 to 12 days.

Was the audition before they have started filming or was it during filming already?

They were already filming.

How much time has passed between your addition and your appearance on the set?

I think the audition was in January and we were filming in February.

Were you working on the set at Pinewood Studios?

Yes, we were filming a lot at Pinewood Studios, but we were also in Rome for the funeral scene.

How much time did you spend in Rome?

I think it was 4 or 5 days. We were filming for 2 days.

At Pinewood Studios you were filming the sequence in Palazzo Cardenza. I saw photos of the set. It looked amazing.

Yes, it was a hudge set.

You were speaking German. Is it right that it was first written in English?

Yes. I got it in English first. They asked me if I wanted to translate it myself. Of course I wanted to translate it myself. Writing my own nouns. (smiling)

So your speech was based only on what was in the script?

I translated it and changed the sentences a little bit to fit them to the character. There were very long sentences in the script. I just chopped them up a little bit to make them shorter and more precise because Dr. Vogel is a scientist. She is a woman in a room full of men so she wants to make it short to get everybody’s attention and to dominate the whole scene, to show her power. (smiling)

Did you look for an inspiration in old James Bond movies?

Yes, mainly on Rosa Klebb and Irma Bunt. They were my role models. I imagined myself to be the ‘niece’ or the ‘cousin’ of Rosa Klebb and Irma Bunt. A younger and more modern version of those two ladies.

Did you get detailed directions from the film director Sam Mendes how to play Dr. Vogel?

He only gave me one note. He said that when Oberhauser comes in, Dr. Vogel starts to feel really nervous, but then she gets more confident and continues the speech.

How long were you filming the sequence?

I was on set for about 7 days.

How long were the shooting days?

The days were very long. I‘d usually get up at 4 o’clock in the morning and read and rehearse my lines. The driver was to pick me up at about 5-5.30 a.m and I was on set by 6.30-7 a.m. One day, I was in my trailer taking off my costume. It was around 9 p.m. already. Somebody knocked on my door and said: Brigitte, you can’t take off your costume just yet. We need you to come back on set, because we had a technical problem with the camera. We need to do the scene again’. So I had to go back on set and do the speech 3 more times. It took roughly 45 minutes. There were around 100 extras around the table. They also had to be on the set very early and must have been so fed up and so tired. Naturally, they wanted to go home as soon as possible. I’m sure they were all thinking: ‘How long is this gonna take. I hope she’s not gonna fluff her lines and we have to do it over and over again.’ I did the speech flawlessly without any mistakes at all. By 10 o’clock we were all allowed to go home. I was at home about midnight and at 4 a.m. I had to get up again for the next day of filming. I had to do that speech everyday, because Daniel Craig likes to do 12-15 takes per day. I’ve done that speech for 5 days, so I must have done the speech more than 50 times. Eventually it feels like groundhog day, because in your brain nothing moves forward, you do the same thing over and over and over again. (smiling..)

Did you feel the pressure when you were acting in front of so big number of people on set?

Yes, there was a lot of pressure. A lot of attention was focused on me during the speech. Luckily, I was doing it in German so nobody could understand. (smiling) I think I fluffed my line only twice for the whole week of filming.

There was a stunt scene. One of the stuntman fell on the table near the place where you were sitting.

Yes, the stuntman was wearing a harness. At first, they lowered him slowly to try it out and see how it all worked. Then he came down very, very fast. He only had a split of a second to turn his head, or he would have fallen on his face and broken his nose.

Did he fall on the wooden table?

No. There was a mat on the table to absorb the impact of the fall.

Did you have a felling after ‘Spectre’ that you would return on the set of James Bond movie?

Yes, because my character didn’t get killed in ‘Spectre’. I wasn’t sure, but I was thinking that it would make sense for her to come back in the next James Bond movie.

When did you get confirmation that you would be in ‘No Time to Die’?

That was in summer 2019. The casting director, Debbie Mcwilliams e-mailed me asking, if I would like to come back. I said yes, I would love to come back. I think we were supposed to film in July but it was pushed back until October.

The whole Cuba set was built at the backlot of Pinewood Studios. I remember that it was very cold when you were filming there.

It was freezing. The dance hall had stone walls and stone floors and it was very cold. The wardrobe ladies were so kind to us…they gave us big fluffy Ugg boots and thick winter anorak to keep us warm.

In the scene your character died and you had to fall down on the floor.

Yes, it was quite dangerous. The floor was very cold and slippery, because of the mist coming down from the ceiling. I was wearing really high heels and an evening gown and wondering, how I could convincingly fall to the ground. Eventually, I asked for a stunt man. He was standing in front of me and I put my arms around him and when he fell down, he took me with him. Under his suit he was wearing padding to protect him and I fell on top of him, so as not to hurt myself.

You had to fall down but also act as if you were dying. How did you prepare for that?

Cary Fukunaga asked me to think of a fish that has been taken out of the water and can’t breathe and is gasping for air. So that is what I did.

You also had special makeup for that scene.

Yes, the make up artists applied special make up that hardens so that is stays in place. that makeup off because it harden. It was almost like glue that sticks to your face. It makes the face feel very hard and doesn’t allow any facial expressions. You can’t peel it off because you would rip off your skin. We had to wait until the evening when the makeup artist took it off again. They put on a face cloth soaked in a special solution, which softens the makeup, so that it can be taken off safely.

How long did it take to put the makeup on and then take it off?

It was probably an hour to put it on and an hour to take it off.

Was it only one day with makeup?

I think it was 2 or 3 days.

Did anybody forget to take off the makeup before going home?

No, thankfully that didn’t happen. (smiling)

I was wondering how much you knew about the plot of ‘Spectre’ and then ‘No Time to Die’ when you were filming.

I didn’t know anything about the plot as I didn’t get the script. I only got my scene.

So you didn’t know much about your character.

No, I made up my own background story.

Can you tell more about working with two different directors and their attitude to the character?

I think that, for Sam Mendes, Dr. Vogel was actually quite an important character, in the sense that she was one of the key figures in Spectre. He just let me get on with it and gave me only one note. Sam Mendes can look at an actor or actress and know whether they need direction or not. He’ll concentrate only on actors, who need directions. I also got on very well with Cary Fukunaga. My scene in NTTD was completely improvised. It was not in the script. Cary was trying out different things, which I enjoyed very much. He gave me a lot of useful advices and that was fantastic. I love working with both Cary and Sam, although they are very different directors. Sam Mendes is a theatre director and Cary Fukunaga is a film director. Two very different directors with very different approaches, but both really good and strong.

January 12th 2022

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Cary Fukunaga and Linus Sandgren – monochromatic portraits

04 Saturday Dec 2021

Posted by Piotr Zając in Cary Fukunaga, Linus Sandgren, No Time to Die

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Cary Fukunaga, Cary Joji Fukunaga, Linus Sandgren, No Time to Die

‘No Time to Die’ film director Cary Fukunaga and director of photography Linus Sandgren attended EnergaCamerimage International Film Festival in Torun, Poland on Saturday 20th November 2021 (see also Cary Fukunaga and Linus Sandgren at 29. EnergaCamerimage International Film Festival in Torun, Poland). I was there as photographer. I hope that you will enjoy my photo gallery of monochromatic portraits taken at that event.

Cary Fukunaga
Director Cary Fukunaga
Linus Sandgren
Cinematographer Linus Sandgren
Cary Fukunaga
Director Cary Fukunaga
Cary Fukunaga
Director Cary Fukunaga
Linus Sandgren
Cinematographer Linus Sandgren
Linus Sandgren
Cinematographer Linus Sandgren
Cary Fukunaga
Director Cary Fukunaga
Cary Fukunaga
Director Cary Fukunaga
Linus Sandgren
Cinematographer Linus Sandgren
Cary Fukunaga
Director Cary Fukunaga
Cary Fukunaga
Director Cary Fukunaga
Cary Fukunaga
Director Cary Fukunaga
Linus Sandgren
Cinematographer Linus Sandgren
Cary Fukunaga
Director Cary Fukunaga
Linus Sandgren
Cinematographer Linus Sandgren
Cary Fukunaga
Director Cary Fukunaga
Cary Fukunaga
Director Cary Fukunaga
Cary Fukunaga
Director Cary Fukunaga
Linus Sandgren
Cinematographer Linus Sandgren
Cary Fukunaga
Director Cary Fukunaga

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Cary Fukunaga and Linus Sandgren at 29. EnergaCamerimage International Film Festival in Torun, Poland

27 Saturday Nov 2021

Posted by Piotr Zając in Cary Fukunaga, Linus Sandgren, No Time to Die

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Tags

Camerimage, Cary Fukunaga, Cary Joji Fukunaga, cinematographer, film director, film festival, Linus Sandgren, portrait

29. EnergaCamerimage International Film Festival in Torun, Poland, was very special for James Bond fans. ‘No Time to Die’ film director Cary Fukunaga and director of photography Linus Sandgren joined the festival on the final day on Saturday 20th November 2021. They both met with film enthusiasts at Masterclass, participated in the closing ceremony and invited the audience to watch the 25th Bond film that has been selected to close the festival.

Cary Fukunaga
Film director Cary Fukunaga at the entrance to the Camerimage cinema at 28 Rynek Nowomiejski St. where Masterclass took place.
Cary Fukunaga and Linus Sandgren
Film director Cary Fukunaga and director of photography Linus Sandgren discussing details of Masterclass presentation.
Linus Sandgren
Director of photography Linus Sandgren.
Cary Fukunaga
Film director Cary Fukunaga.
Linus Sandgren
Director of photography Linus Sandgren.
Cary Fukunaga
Film director Cary Fukunaga.
Cary Fukunaga and Linus Sandgren
Film director Cary Fukunaga and director of photography Linus Sandgren.
Cary Fukunaga
Film director Cary Fukunaga.
Linus Sandgren
Director of photography Linus Sandgren.
Cary Fukunaga and Linus Sandgren
Film director Cary Fukunaga and director of photography Linus Sandgren.
Cary Fukunaga
Film director Cary Fukunaga.
Linus Sandgren
Director of photography Linus Sandgren.

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Interview with Nicola Dove – ‘No Time to Die’ still photographer

16 Tuesday Nov 2021

Posted by Piotr Zając in Nicola Dove, No Time to Die

≈ 1 Comment

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interview, No Time to Die, Nocola Dove, still photographer

Nicola Dove is a film stills photographer since 2004. She has been shooting big movies including ‘No Time to Die’. For more details visit her website: nicoladove.com Currently she is focused on her project called Film Stills Academy. Nicola shares her knowledge and experience with those who would like to work as still photographers. Find more on: filmstillsacademy.com

Piotr Zajac (bondlocations): Thank you very much that you agreed for an interview. I’ve seen a number of photos that you’ve taken on the set of ‘No Time to Die. They are really great!
You’ve been working in the film industry as still photographer for years. You have over 40 movies in your portfolio. How did you get a job in this particular film? James Bond franchise is special for many people. I guess also for you.

Nicola Dove: Yes, for sure. It was wonderful experience to be considered for the film. In the film industry it is very much based on who you know and the contacts that you’ve built up over many, many years. I lived in UK for 16-17 years and I worked for the film industry for that time. The industry relies on recommendations. I was just recommended to the marketing department. I think they were keen to try something different with images this time. I had an interview and meeting with the marketing department. I’m sure that it went through many others like producers to get approved.

There were also other photographers on the set, i.e. Jasin Boland, Greg Williams.

Jasin Boland was the stunt unit photographer, so he was mostly doing the stunts with the second unit. Greg Williams came on just a few days over the course of the film. He shot Daniel Craig’s poster after the film was finished. I was the main unit stills photographer and I shot all the posters of all the other characters.

Ana de Armas - photo by Nicola Dove
– Ana de Armas on ‘No Time to Die’ poster. Photography by Nicola Dove/Danjaq LLC/Metro-Goldwyn-Mayer.

You spent 7 month on 007 film set. Did you have some breaks during that time or were you shooting every day?

I was on set everyday with the rest of the crew. We were shooting five days a week for seven months. These were long days so it was a bit like a marathon, but we could recover during the weekend like in any other job. That is important because during a long job like this you need to look after yourself. It is physical. You are carrying equipment, standing and moving a lot. You have to eat well, and you need to make sure that you don’t get sick. The last thing you want on a Bond film is to get sick and miss any days.

You mentioned the equipment. I know that on the set you were using two Sony A9 bodies with 24-70mm and a 70-200mm lenses. You had also Nikon kit as a backup. I was wondering why two different systems? It is always a bit difficult to switch from one to another because of different positions of switches, different setting etc.

I don’t switch cameras very often. Nikon is my old DSLR equipment with the sound blimp. It is handy to have camera that is not mirrorless with the blimp as a backup just in case you need to have your camera housed in some way of protection. Actually I only used it once, so it was not like I was flipping forth and back all the time. Anyway I understand what you mean. I love my Sony A9s. I had my camera issue in Jamaica, but it was only with one camera, so had another Sony that I could continue using. Then I brought up a Nikon DSLR as a backup second camera.
A while ago, before the mirrorless cameras came out, I was a Nikon user. When the digital changes were happening Canon was the first one to go full frame, so I had Canon 5d for a while as well. On one shoulder I had a Canon 5d and my Nikon, I think it was d700. All the buttons were going different ways and everything was opposite. I got used to it though. I was using Canon, Nikon and Sony. They are all excellent.

What was your workflow on the set? Were you editing photos during the day?

It depends on the shooting day, because every day is a little different, depending on the kind of scene. If it is a really great scene that has to be photographed well I am on the set all day. If that is quiet scene in the afternoon I may get an hour or so to download photos. If not, then usually I was coming the following day into the studio very early to download photos from the day before and to prepare for the day ahead. At the end of every week we were uploading the images via private server.

How many photos have you taken during those seven months?

I haven’t actually added it up. I really don’t know. Now when you asked me I’m interested in that.

I guess that you took thousands of photos. With digital cameras there are no limits as it was some years ago.

Yes, it is very different. I remember when I first started working as a film still photographer on films sets in pre-digital time. I was aiming to shoot six rolls of films of 36 frames a day. If I shot ten rolls of film it was really big day. 360 images is nothing nowayadas when you are shooting digital. It’s changed a lot, but I’m glad I was learning on film. It taught me to be very precise when to push the button and not to be wasteful.

While working as still photographer have you been to all ‘No Time to Die’ filming locations?

I wasn’t able to go to Norway. There was another photographer, Christopher Raphael, with the unit in Norway. Second unit is more about stunts and it doesn’t involve the main cast. Anything with the cast is mostly first unit that I worked with. I was in Jamaica. I was able to spend a couple of days on a chase boat, chasing around the yacht. It was fun.

Was Jamaica second filming location after Norway?

Yes.

Is it true that Bond’s home in Jamaica was built for the film only?

Yes. That was beautiful spot by the beach.

Daniel Craig in Jamaica - photo by Nicola Dove
– Daniel Craig in Bond’s home in Jamaica. Photography by Nicola Dove/Danjaq LLC/Metro-Goldwyn-Mayer.

What about the bar in Jamaica where James Bond (Daniel Craig) and Felix Leiter (Jeffrey Wright) where talking? Was it also built for the film only?

Daniel Craig and Jeffrey Wright on location in Jamaica - photo by Nicola Dove
– Daniel Craig as James Bond and Jeffrey Wright as Felix Leiter in a bar on location in Jamaica. Photography by Nicola Dove/Danjaq LLC/Metro-Goldwyn-Mayer.

No, that wasn’t a built set. That was a location that they’d found and adapted.

Where were you working after filming in Jamaica?

After Jamaica we were at Pinewood Studios for a long time. Then we worked for a week up in Scotland. We returned to Pinewood for a bit and then we went to Matera in Italy for a month. We came back to UK to continue working at Pinewood.

In ‘No Time to Die’ only a few scenes were shot on location in London. One of them was filmed at Whitehall Ct at the Ministry of Defence. You shot there great portrait of Daniel Craig in front of Aston Martin V8 Vantage. Was it the first photo from the set that was sent out to global media?

Daniel Craig on location in London - photo by Nicola Dove
– Daniel Craig at Whitehall Ct in London. Photography by Nicola Dove/Danjaq LLC/Metro-Goldwyn-Mayer.

Yes, that became the first look image. That was the main image that was released.

Was it taken during the shot, rehearsal or maybe Daniel Craig posed for the photo?

It was taken during the scene. We didn’t do anything extra. On paper it doesn’t look that much. He just gets out of the car and walks across the street. Sometimes smaller moments make the best images. He was walking across the street and I was able to walk backwards with him and get a few extra steps that he did for the camera. He is very professional so he knew that it was gonna make a great image. He knows the character best and he knows how to make a Bond moment. I was fortunate enough to capture that.

Were Cuba set and Safin’s headquarters built at Pinewood?

Yes, the whole Cuba set was built on the backlot at Pinewood Studio’s. It was amazing. There were huge set builds. We were many going to another stage at Pinewood for a couple of weeks and by the time we went back to the previous stage it was all different, with something else. They were very clever with what they were able to create.

There was a scene inside the aircraft with Daniel Craig and Lashana Lynch. Was it real aircraft or was it also filmed at Pinewood?

Daniel Craig and Lashana Lynch - photo by Nicola Dove
– Daniel Craig and Lashana Lynch. Photography by Nicola Dove/Danjaq LLC/Metro-Goldwyn-Mayer.

That was shot on a real aircraft.

What is your favourite memory from the set?

It is hard to say because there were so many of them. Shooting out in London was wonderful, especially the day we got the shot that was used for Omega advertising. That was the favourite day I suppose. As a photographer your favourite days are usually in relation to the kind of images you were able to make. It is wonderful to be at Pinewood and everyday to arrive and see 007 Stage, but it is always fun to be out on location. Shooting in the Jamaica house was great way to start a film. Perhaps it was an unusual to start a Bond film like that because you are seeing him in a relaxed mode that we haven’t really seen before. Matera was extraordinary. You can’t drive in Matera so you have to walk everyday with your gear up and down on the steps. I was living there for a month with my family. They were able to explore the history, the caves. It is really incredible location. The weather was beautiful, food was amazing and people were very kind to us. I will never forget that. Being in Matera was an experience of a lifetime.

That was your second film with Daniel Craig. You were also still photographer on the set of ‘Enduring Love’ in 2004. What can you say about Daniel Craig?

He is total pro and he takes it very seriously. He is very loyal to his crew that is around him. Knowing that it was Daniel Craig’s last film as James Bond was obviously a real privilege to photograph him. He just let me do my job. That made my job much easier.

You had the opportunity to photograph the last scene on the set. I’ve seen Daniel Craig’s emotional speech after that. How do you remember that last moments on the set?

In the last scene he ran down the alleyway. There was not much room so there was just one camera and myself. That was the end of the very long scene. I think that was nice that he had that moment for himself while walking back for maybe 15 seconds. He walked with big smile on his face into the room where everyone was waiting. It was only a matter of seconds between these moments took place. All the crew had come down to congratulate him and be there to celebrate the final shot. It was a real privilege to be there.

October 7th 2021

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‘No Time to Die’ at Whitehall Ct in London

07 Sunday Nov 2021

Posted by Piotr Zając in London, No Time to Die

≈ 1 Comment

Tags

filming location, James Bond, James Bond location, London, movie location, No Time to Die, UK, Whitehall

There were only a few scenes in ‘No Time to Time’ that were shot on location in London unlike in ‘Spectre’ or ‘Skyfall’. One of them was the scene with James Bond (Daniel Craig) arriving at MI6 headquarters in Aston Martin V8 Vantage. Previously James Bond was driving such car in ‘The Living Daylights’.

The scene was filmed on June 30th 2019 at Whitehall Ct. The car was parked near number 4. Daniel Craig walked towards Ministry of Defence that doubled for MI6 headquarters.

Whitehall Ct, London
– 4 Whitehall Ct.
Whitehall Ct, London
– 4 Whitehall Ct and Ministry of Defence main building on the right.
Whitehall Ct, London
– Ministry of Defence main building.

While filming the scene, Nicola Dove who was still photographer on the set of ‘No Time to Time’ (Interview with Nicola Dove – ‘No Time to Die’ still photographer), took an iconic photo of Daniel Craig. It became an advertisement for Omega watches. It was also the first look image made available to the press.

Omega watches

Whitehall Ct is located in the very center of London. No wonder it is close to other filming locations known from James Bond franchise. In the next photo you can see the place where Bond parked the car in ‘No Time to Die’ in the right bottom and the Old War Office on the left. It was the MI6 headquarter in ‘Octopussy’, ‘A View to a Kill’ and ‘Licence to Kill’. The dome tower was also presented at the end of ‘Skyfall’ when James Bond was standing on the roof and looking at the London panorama. (‘Old War Office Building as MI6 HQ‘).

Old War Office at Whitehall in London

Another ‘Skyfall’ location can be found behind the Old War Office building. If you walk down the Whitehall Ct in the direction from which the Aston Martin V8 Vantage arrived, you will see the Embankment Place round the corner. The scene with Raoul Silva (Javier Bardem) leaving the subway station was filmed there (‘Skyfall’ at Embankment Station in London).

Go to LOCATIONS GALLERY – ‘NO TIME TO DIE’ to see location photo compared with the movie scene.

Source:
– www.mi6-hq.com

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‘No Time to Die’ in Poland

19 Sunday Sep 2021

Posted by Piotr Zając in No Time to Die

≈ 3 Comments

Tags

billboard, No Time to Die, NTTD, poster

‘No Time to Die’ in Poland is known as ‘Nie czas umierac’. It will be released in polish cinemas on October 1st. There will be several local premieres with film screening starting at 00.07. Tickets have been already in sale since September 13th. Official polish premiere will take place on September 29th in Warsaw in Cinema City Sadyba.

Below you can see a few photos of ‘No Time to Die’ posters in Poland.

'No Time to Die' poster in Poland
'No Time to Die' poster in Poland
‘No Time to Die’ poster at DCF cinema in Wroclaw, Poland.
'No Time to Die' poster in Poland
'No Time to Die' poster in Poland
‘No Time to Die’ poster at DCF cinema in Wroclaw, Poland.
'No Time to Die' poster in Poland
'No Time to Die' poster in Poland
'No Time to Die' poster in Poland

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Vienna as Bratislava in ‘The Living Daylights’

28 Sunday Mar 2021

Posted by Piotr Zając in The Living Daylights, Vienna

≈ 1 Comment

Tags

Austria, filming location, James Bond, The Living Daylights, Vienna

After opening sequence James Bond went to Bratislava in Czechoslovakia. At the time when ‘The Living Daylights’ was filmed getting permission to film in communist bloc countries was very difficult. Therefore Vienna in Austria was doubling for Bratislava in the movie.

James Bond (Timothy Dalton) and Saunders (Thomas Wheatley) were sitting on a balcony in a concert hall. Bond was looking at general Koskov (Jeroen Krabbe), who was supposed to be transported to the West. He also noticed cellist Kara Milovy (Maryam d’Abo). Just before the concert interval 007 and Saunders left the concert hall and went to the Mi6 safe house in a building across the street. Soon general Koskov went out into the streets through the toilet window. Bond saw an assassin in a window above the entrance to the concert hall. It was cellist Kara Milovy.

The sequence began with establishing shot of the street and philharmonic building. It was Währinger Strasse in Vienna and the opera house called Volksoper. The camera was directed towards the viaduct on which the metro runs. In the film there was a small tree in front of the Volksoper. I was visiting Bond locations in Vienna in 2020, so it was 33 years after filming. During this time, the tree has grown, but the building hasn’t changed much.

Volksoper at Währinger Strasse in Vienna, Austria

Währinger Strasse in Vienna.


Volksoper at Währinger Strasse in Vienna, Austria

Volksoper in Vienna.

Entrance to Mi6 safe house was filmed at the intersection of Währinger Strasse and Schlagergasse in front of Volksoper. The hammer and sickle that were seen in the film were mounted on the balcony shown in the photo.

Währinger Strasse in Vienna, Austria

The building at the intersection of Währinger Strasse and Schlagergasse.

General Koskov went through the window that is shown in a photo below. It is located to the left of side entrances to the Voksoper.

Volksoper at Währinger Strasse in Vienna, Austria

Window in Volksoper in Vienna.

Volksoper at Währinger Strasse in Vienna, Austria

Side entrances to Volksoper in Vienna.

James Bond saw Kara Milovy with a gun in a window above main entrance to the building. It is the one below ‘Volksoper’ sign.

Main entrance to Volksoper at Währinger Strasse in Vienna, Austria

Main entrance to Volksoper in Vienna.

James Bond helped general Koskov to escape from Czechoslovakia to Austria by sending him across the border in the Trans-Siberian pipeline, but at first they traveled by car.

Night ride was filmed in the center of Vienna. They went out on Traungasse.

Traungasse in Vienna, Austria

Traungasse in Vienna.

At the end of the street, right before the arched passage, the car turned left onto Lagergasse

Intersection of Traungasse and Lagergasse in Vienna, Austria

Intersection of Traungasse and Lagergasse in Vienna.

Later the Audi drove across the Doktor-Ignaz-Seipel-Platz and entered Sonnenfelsgasse.

Doktor-Ignaz-Seipel-Platz in Vienna, Austria

Doktor-Ignaz-Seipel-Platz in Vienna.

Later in the film James Bond returned to Bratislava to follow Kara Milovy. He saw her arrested outside her house. She left cello case in a tram. Bond took it to the public toilet at the tram depot to see what was inside without any witnesses. 

The scene in which Kara was arrested was filedm at the tram stop at Antonigasse. After over 30 years it was easy to recognize the location. Only trams are completely different from what we saw in the movie.

Tram stop on Antonigasse in Vienna, Austria

Tram stop on Antonigasse in Vienna.

The tram depot where Bond got off the tram has been closed down over 20 years ago. There are no more tram tracks but the building at Kreuzgasse still exists. Currently there is a gym inside the building.

Former tram depot at Kreuzgasse in Vienna, Austria

Former tram depot at Kreuzgasse in Vienna.

You can find the building where the entrance to the public toilet was filmed right next to the former tram depot. As you can see in a photo below it is not in use anymore. 

Kreuzgasse in Vienna, Austria

Kara returned to her flat. There was James Bond waiting for her. They both escaped in Bond’ Aston Martin but first they had to fool KGB agent waiting in a car in front of her house. Bond was the first to leave the building. Kara went to the phone booth. She dressed the cello case with her clothes. She ran away when a tram was passing. KGB agent was convinced that Kara was still in the phone booth.

The entrance to the building in which Kara lived was located at Antonigasse 92.

Antonigasse in Vienna, Austria

Antonigasse 92 in Vienna.

James Bond parked his Aston Martin at the intersection of Antonigasse and Sommarugagasse. It was roughly where the silver car is pictured in a photo below. Phone booth was located to the left of the orange delivery truck in that photo.

Antonigasse in Vienna, Austria

Antonigasse in Vienna.

The scene with James Bond and Kara Milovy driving away was filmed at Schlagergasse.

Schlagergasse in Vienna, Austria

Schlagergasse in Vienna.

Visit LOCATIONS GALLERY on top of the page to see locations photos compared with movie scenes.

Sources:
– jamesbondlocations.blogspot.com
– „The Living Daylights” Audio Commentary, „The Living Daylights” Special Edition, Danjaq, LLC and United Artists Corporation, 2006.

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Interview with Robbie Maddison – motorbike rider who has played James Bond in ‘Skyfall’

12 Friday Feb 2021

Posted by Piotr Zając in Robbie Maddison, Skyfall

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Robbie ‘Maddo’ Maddison is a motobike stunt performer. He is world record holder in jump length on a motorcycle and on distance ridden on a modified dirt motorbike on the water. He is also famous for jumping onto up onto the Arc de Triomphe in Las Vegas, jumping Tower Bridge in London, jumping over the Corinth Canal in Greece, winning Red Bull X-Fighters competition and many other. Find more on: robbiemaddison.com

Piotr Zajac (bondlocations): I’ve heard you saying in behind the scenes documentary about ‘Skyfall’ that you are following following footsteps of Evel Knievel in your career. Can I say that he is your inspiration in what you are doing?

Robbie Maddison: I remember as little kid seeing what he did. It blew me away and definitely inspired to follow a similar path. He was part of the reason why I fell in love with motorcycles. What he did on a motorcycle was so cool to me as a kid. He is definitely being an inspiration for me for sure.

You broke the World motorcycle jumping record on the 40th anniversary of Evel Knievel jumping the fountains at Caesars Palace. I guess this date was not chosen by chance.

It wasn’t the first time. I think it was my third or fourth World Record at that time, but we definitely planned that. We knew that the anniversary was coming up and it all made sense. I jumped and broke World Record previous to that and then I was talking to the Red Bull crew about what I could do in the future. I wanted to break the distance record, the overall record that Evel Knievel had. We went about planning to do that. Subsequently I went to Evel’s funeral prior to the jump. I paid my respects to him. I had the craziest experience at his funeral to be honest. I stood in front of the open casket. When I was there I said: ‘Thank you for what you have done for motorcycling and for action sports. I want to take the flag where you’ve left it and take it to the highest heights with your honour’. When I said that this crazy feeling came. Cold went straight through me and all the air. Hairs stood up on my neck. I knew that his spirit was blessing me for sure. It was an amazing experience. I went to Las Vegas knowing that we were doing it with Evel Knievel’s blessing. That was an amazing night. Evel Knievel’s family was there. I jumped right in front of the Caesars Palace. It wasn’t over the fountains. I jumped like over the football field that is much bigger than the area in front of the hotel. We had the complete parking lot at the rear casino and we’ve recreated the full size American football field. I jumped from end zone to end zone. It was amazing time. Amazing thing for my career to be able to realize that dream. It blew my mind that I’ve made that dream a reality. You can achieve your dream if you focus on it hard enough.

When you played James Bond in ‘Skyfall’ you were already very famous. I was wondering if the producers were looking for someone to do that stunt that was already written in the script or they saw you in action and wanted to do something like that in the movie?

I think that it was in the script and they were looking for someone who could do this. Jean-Pierre Goy was meant to be the James Bond at first, but as I’ve heard they were looking for someone looking more like Daniel Craig. They also had the stunt when the rider had to jump through the window. They thought that I would be the best guy to do it because I’ve done that jump off the building in Las Vegas. They contacted me and said that they had a stunt that I could do. I was lucky that I had everything they needed.

You were working together with Lee Morisson who was riding another bike as bad guy Patrice.

Yes. Lee Morrison was an amazing guy.

At first you were practising at training facility. There were mounds of earth shaped like rooftops in Istanbul.

Lee and Gary Powell designed the whole sequence. That has nothing to do with me at all. They had it all tested. Lee used to be a professional motorcycle racer himself. He just needed someone else who could get through the whole section as well as he could. They had that planned before I was the part of the conversation. Later on I just made sense at some point.

You were both driving Honda CRF250R motobikes. They were dressed up like road bike and police bike. Was it difficult to drive them with all these additional parts?

I showed up on set in Adana where they were shooting the train sequence. They said to me: ‘Here are the motorcycles. They are fresh from the art department. Go and ride them. We want to make sure that all the modifications are working well’. I came back about half an hour later with all the bits and pieces on my lap because I snapped them off the bike. The art department reinforced them with bunch of steel tubing underneath. It obviously made it a lot stronger but also made it a lot heavier. That actually threw off the calculations for the suspension settings that they had on the bikes. The bike had extra 25 lbs on the rear end. We got to Istanbul and we were riding on the rooftops of the Grand Bazaar. There was one section when we had to jump from one root to another roof. I landed with really hard impact so my body position was kind of dramatic. They said: ‘James Bond doesn’t react like that. This character is strong and perfect. He lands like a machine’. The director asked me to shoot it again. I said to him: ‘Look man, I was so lucky to make it that time. The bike can’t handle it. The suspension is too soft’. I jumped again and I crashed. Then I crashed again. I said: ‘Look, the settings are off’. Lee Morrison attempted it and he crashed as well. I think that at that point they realized that it wasn’t the rider but it was the setup that we had. They managed to change frame angles so it looked like all went smoothly. You wouldn’t notice it watching the film unless you were there filming that. That was very unique part of the story and that was definitely a hurdle that we faced on set to overcome. It became dangerous and risked the whole film.

You were risking a lot riding without helmets on very narrow roads on rooftops.

Yes, that is right.

Were the roofs specially reinforced? You were riding on old roofs covered with tiles.

The art department was really good. I coudn’t say what was real and what was fake. When I got there the set was completely designed. There were lots of things that were fake but looked real. Pretty much all the set that we rode on was put down by the film crew. They had to protect buildings because they were historical. To get the permission to be on that Grand Bazaar they couldn’t damage anything. The whole production got shut down because one of the windows got broken. I’m sure you’ve heard that story.

Honestly I haven’t heard it. Can you tell more about that?

When we were shooting te scene with James Bond was chasing the bad guy inside the Grand Bazaar one of the motorcysles hit the window of the jewelery store. The glass that was smashed was really old. It was big issue for the film and for future stuff that happened in Istanbul. With Red BUll we couldn’t get permission because of what happened on Bond.

I assume the window you were jumping through was specially prepared.

Yes.

How many times you had to repeat that scene?

We did that in one take.

I saw in the behind the scene documentary that there was some landing platform below the window. In the movie there was nothing like that.

Before Gary called ‘action’ I rehearsed going through the window without the glass with landing on the platform. We practiced that with Lee. Then the glass came in. It was like sugar glass, made for action scenes. It looks like normal glass, but when you hit it it breaks away. Once they put that in and called ‘action’ they removed the landing ramp. We had to land right on the floor and ride up to finish the scene around the corner. As we go around the corner, there is the jewelery store where the window was broken. It wasn’t me (smiling).

I saw on extra material from the set that there was a scene with water tank on the roof that wasn’t used in the film.

Unfortunally time for the sequence was limited. That water tank scene was really cool. When Lee came past the water tank the guy who was hiding there pulled the lever which dropped the tank. The water came down and I went through it. Unfortunatelly that part was cut.

Did you film any other scene that not in the movie?

There was one scene that didn’t make to film either where I had to wheel into a car door. The door cames off and goes under the motorcycle. I actually crashed when filming that. I’ve never done that stunt before, so I found it quite tricky because there was specific way to do it. I tried to learn in on the fly. There were guys who were really experience and they were telling me what to do. I probably needed a few days to practice and figure it out but I couldn’t get it right away, so they moved on.

How long did you film the sequence?

We could only shoot on Sundays. We were on top of the roof once every weekend. It might have been three months.

Did you stay there for the whole time?

Yes, I stayed in Istanbul. For most of the time I was on standby dressed like Bond, because I was Bond double. Usually I didn’t get any other roles. I was sitting in the shade pretty much for six days per week and waiting for that one day to film.

Martin Ivanov told me that you were spraying Coca Cola to improve grip.

Yes. They had a lot of unique tricks. It is incredible what these guys could do. We were riding on these ancient tiles that were very slippery but they had some really cool tricks i.e. like you said with Coca Cola. There was a scene where we had to ride up the stairs. They were able to soften up the hit of the stairs by putting in sand bags. When you watch it in the movie you don’t really see it.

Thank you for telling me all the stories behind the scenes.

January 28th 2021

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Interview with Mark Higgins – stunt driver who has played in 4 James Bond films

31 Sunday Jan 2021

Posted by Piotr Zając in Mark Higgins, No Time to Die, Quantum of Solace, Skyfall, Spectre

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Mark Higgins is a triple British Rally Champion. British Rallycross Champion. Awarded five times as ‘National Driver of the Year’. He has also scored points in World Rally Championship and competed in FIA Rallycross Championship. He is the stunt driver since ‘Quantum of Solace’. More on: www.mark-higgins.com

 

Piotr Zajac (bondlocations): You are rally driver who became stunt driver. You have won British Rally Championship three times, you have scored points in the World Rally Championship. You must be the fastest stunt driver in the world !

Mark Higgins: My big passion was always rallying. That is what I always wanted to do. We had the championship wins. Alongside we’ve been rallying in China for around 10 years. I was lucky enough to be team mates to people like Colin McRae, Carlos Sainz on Rally GB for three times. I was test driver for Ford for 8 years and for many other manufactures. We had great career in rallying. If I could do it again I would do it. I still get the oportunity to do it. We were meant to be doing some rallying last year. If things get better in the middle of this year I hope to do a couple of rallies just before I get too old. I am still excited about rallying.

I’ve seen on your Instagram account just a few days ago that you’ve renovated Honda Civic which you won the British Junior Championship in 1994.

Yes, I’ve been working on that for a while. It is just a little fun project really. I’ve found the car. It was not a very expensive car, but it was great car and quite important in my career. I’ve also renovated my first factory car. It’s been in a garage for a few years. Great memories from those little front wheel drive cars. They were great fun in those days, 30 years ago.

What are your plans for rallying?

I would like to do some more rallying in Ireland. It is probably one of my favourite places to rally on the tarmac and the Isle of Man. The Donegal International Rally is the rally that got away from me. I was very close to win it a couple of times, we had a really good battle with Sebastian Loeb (9 times World Rally Champion) one year, so I would like to go back there. It would be a modern R5 car I would’ve thought. Depending on the regulations because I was told that modern WRC rally cars may be eligible in Ireland. It is all open in the air. Nobody knows what is happening at the moment with Covid.

Rallying is like a tradition in your family.

When I was kid at school I was asked who I wanted to be and I said: ‘rally driver or fighter pilot’. I wasn’t clever enough to be the fighter pilot, so my passion is rallying. My grandmother and grandfather rallied together in the sixties. My mother was my first co-driver. My dad was a really good driver on the island. My brother won Rally America Championship 8 times, he is British Championship winner as well. It is very much a big part of the family. Then we moved to the rally school, which was very good for us, when we came to the UK in 1993.

Do you continue that motorsport tradition with your kids?

My brother loves karting now. He is doing a lot of that with his son. I do a bit of karting with my son as well. The new generation is carrying it on.

You were born on the Isle of Man, which is famous for motorcycle races. Do you also like to ride motorcycles?

There are lots of accidents during races on the Isle of Man. My dad was very clever. He didn’t allow me to have a motorbike when we were living there. I think that it was a very, very good thing that he did, because I probably would have ended doing something like TT race. I love my bikes. I have race bikes and enduro bikes, but that was good that I got into it later on when I was maybe a bit more sensible. Otherwise I may have gone down that route. Thankfully I stayed with cars which probably kept me alive, but the TT has been a big passion in my life. As you probably know we did that lap in a Subaru (click to watch).

I know that you broke the lap record on the Isle of Man.

The record was not the most special part. It was just good to get right there on one lap and set the time. We only had two goes in that car, so we had very limited time. We could go quite a bit faster, but that was a very special thing to do. It’s been very popular around the world. I think more people know me from my TT lap in the Subary than from anything else.

In Subary you were doing also some ‘crazy’ things like driving down the bobsleigh track.

Yes, that was very good fun, very interesting. Interesting story with that. We literally were running out of time and we had one more day. If we would be probably three hours later going down that bobsleigh run the course would actually be melted. If you see some of the videos the walls are falling away. It was a wacky thing to do but good fun. (click to watch) We also went to Romania over the Transfagarasan. That was also nice trip in Subaru as well. (click to watch)

Both videos reminded me of James Bond films. There were chase sequences in bobsleigh tracks in ‘On Her Majesty’s Secret Service’ and ‘For Your Eyes Only’. Winding road in Romania looked like a bit like the road from ‘Goldfinger’.

I’ve never ever associated them together in any way at all. It’s first time I’ve ever heard that. It is quite inetersting that they are so similar really. My opportunity to be a real James Bond sometimes (smiling).

Your rallying experience was the reason why you got an offer to become stunt driver?

I went to James Bond franchise through Ben Collins who was doubling Daniel Craig on ‘Quantum of Solace’ together with Martin Ivanov. They wanted the rally driver to come down to the gravel section on the quarry. Ben mentioned it to me very loosely one evening: ‘Would you like to be in a James Bond film?’. You can imagine the response. I’ve never worked on a film before, so it was my first ever film. I’ve never ever heard anything more until three or four months later when I got a phone call: ‘Are you free for the next three months to go to Italy?’ That was my first trip over to work on a film.

In ‘Quantum of Solace’ you were driving Alfa Romeo in the opening sequence.

That is correct.

You mentioned the gravel section on the quarry. Were you also involved in filming at Garda Lake?

We did also a chase at Garda Lake. Funny thing is that I’ve spent my life in rallying being told not to crash and I remember our stunt coordinator Gary Powell asking me on the radio to hit Martin (Ivanov) harder at the back of the car. We had some great fun. Me and Martin actually became very good friends. Since that film we work together a lot.

Which Alfa Romeo were you driving?

We all had numbers at the time. I think I was ‘Alfa 1’ for the first part of the scene and then I moved to ‘Alfa 2’ when we got on to the gravel scene. Originally that was gonna be a very long car chase for about 15 minutes. When it came to the final editing they chopped quite a bit out of the film.

One Alfa Romeo disappeared from the film.

The chase was always done with three cars at the beginning. We had an idea how the chase would  look like and then we went to a see movie. It was quite different but that’s often the case with most movies.

So you don’t know whey they cut off one car from that sequence?

No, no idea.

Where Alfa Romeo cars modified somehow?

They were quite standard. We had about two weeks testing on an airfield. We’ve played around with settings. We used the rally knowledge to change the tracking of the car. We had hydraulic handbrakes in cars as well. Obviously there were roll cages. They were modified, but not massively modified. I thing we had winter tires on the cars as well so they were better on the gravel.

Martin Ivanov told me that you had some problems with engines and you had to  cut additionally the tires for better grip.

Yes, that is correct. There were always little issues here and there. The problem at any modern car now is the electronics. Trying to get them to cut out all the fail safe modes, traction controll etc. is becoming big problem now in our industry. Then often enough we are putting separate engine and gearbox to the car with their own wiring loom because it is nearly impossible to switch off all the electronics in modern cars.

When I drove to the Carrara quarry to visit the location my car was covered with dust. I guess it was also a problem while you were filming there.

You could taste it on your lips. It was like powder and we could taste it every night while taking a shower. What else is interesting about the quarry that you never have the impression how steep it is when you watch the movie. When you actually drive there for real roads are lot more agressive, quite steep.

Your next Bond movie was ‘Skyfall’. You were driving Landrover as Moneypenny in the opening sequence. Andy Lister, who Daniel Craig stunt double on the train, told me that you were driving like ninja between cars falling from the train. Did you see anything in the dust or you just had feeling when to turn.

Sometimes it was a feeling. Thankfully I always had a reference of a big train on the left hand side, so it wasn’t too bad. We had a lot of different work on that film. It wasn’t like a real car chase but it was a nice sequence for the Land Rover, which is not designed for that type of fast work. Trying to slide that around and go as quickly as possible was a good challenge. We all enjoyed working on that. It wasn’t typical Bond car chase because there was only one vehicle really and obviously big bike chase in Istanbul. We did a lot of work there, not so much with the car, more on foot. We were the stunt guys inside the Grand Bazaar.

Martin Ivanov told me that he was selling oranges together with Ben Collins. What was your part?

In the place where they were selling oranges I was driving Land Rover and the POD car all the time. I think that we were shoppers in the Grand Bazaar jumping away from the bikes. That was quite an interesting film for me because I ended up having and operation on my throat when we were in Istanbul. They got me back to work the following day, but I wasn’t allowed to talk for two weeks. I remember that on the very first day I met Daniel (Craig) on set. He was alongside me as Moneypenny so he was in a passenger seat. I couldn’t speak to him so I had to write him a note. I think that note said something like: ‘Don’t worry, I won’t be doing the bedroom scene’, because he looked across at me dressed like Moneypenny. I think he must have wonder what he was looking at (smiling). I couldn’t speak for two weeks and I know that it was very frustrating for stunt coordinator on the radio.

When I was watching the sequence I was wondering if the scene with Moneypenny breaking off a mirror was planned or it just happened accidentally and was used to make the scene more funny.

That was a big gag from the start and that was done in purpose. That was actually Ben Collins who did that. It was done with the POD vehicle driven from the roof. Ben did all POD work in that film, so he was driving when Naomie (Harris) was inside the car. I did all the clean shots with the car.

One more quiestion about the scene with cars falling from the train. How many times did you have to repeat that?

I think there were two or three takes. The problem was that there were no signs where the cars went. Although they were getting taken off at the same time with the same rotation of the excavator arm, because that was electronically controlled, you could never tell where they were gonna bounce. VW Beetles were complete cars without the engine. I think that in the first take we were a bit blocked and we couldn’t push through the gap. In the second or third attempt I just got through, we got the shot and it was great. It was quite interesting to wonder where the cars were gonna go when they landed. I didn’t know if they were going to bounce and come towards me or dive after the right. I just had to pick a path and make it. I think we did three takes. In the first two the cars went exactly the same so I thought: ‘I know where I’m gonna go now’ and then on a third one they went completely different (smiling).

How long did it take to prepare everyting for the next take?

It is normally good two or three hours to clear all the mess, glass and cars around and then go again.

Did you also play in some other scenes in ‘Skyfall’?

Yes. We did some parts in London. We were always involved in scenes with cars in some way if that was even driving a taxi. I did some work with the black Jaguar with Dame Judi Dench who played M. She was amazing. Between us all we just sheared it around. If one person was busy or was doing something else then someone else was driving.

So you were also MI6 driver.

Yes. Between me and Ben (Collins) we were sharing that together. I also did a bit of Aston Martin DB5 work. I was driving when the car exited and drove up towards Scotland. We didn’t do it with Judi Dench but there was a double with me in the car.

In ‘Spectre’ you were driving Aston Martin DB10 as James Bond. I saw you driving that car in Rome in March 2015.

https://bondlocations.wordpress.com/

Mark Higgins driving Aston Martin DB10 at Tiber river in Rome.

That was good time there. Obviously all was done in the night. It was very strange to see Rome with only a few cars around. Rome is always so busy with cars. We really enjoyed that. The cars were fantastic. I don’t think that many people had an opportunity to slide through the Vatican at 90 mph.

Was Aston Martin DB10 good to drive?

Yes, it was really good. The car was based on Aston Martin V8 Vantage in terms of the chassis. We were surprised how reliable the car was, even going down the steps. We didn’t have any reliability problems with the car. Any car that is rear wheel drive with front engine is always quite good balanced to drift. I did some work with Martin’s car (Martin Ivanov was driving Jaguar C-X75) and that was really difficult car to drive, because it had engine at the back and had a lot of power. It was quite snappy car, quite hard to control so I definitely had the easier car to drive of the two in that chase.

Did you also drive Jaguar C-X75 on the set?

I didn’t drive it on the set, but I did a lot of testing before.

The Jaguar had a steering wheel on the left hand side. Was it more difficult for you?

If I have a choice I prefere left-hand drive car because all my rally cars are left-hand drive. I feel like I’m working in a left-hand drive car and in a right-hand drive car I’m going shopping or driving to work.

I’ve read somewhere that several Aston Martin cars were damaged on the set. Is it true?

I don’t recall any issues with the car on ‘Spectre’. We haven’t damaged any car. Every car survived apart from the one that was meant to be crashed.

What happened to the car that jumped into the river?

They pulled that back out. I think they used that car in the studio, so it was used again. One of them was cut in half so they could put cameras in the studio when Daniel was inside.

You didn’t have to drive that car when it was jumping into the river?

No. I think it was on an air ramp so it was actually fired like from a cannon. So we didn’t get to swimming on that one, but me and Martin had to do some underwater testing in a swimming pool at night. We had breathing apparatuses in the cars all the time just in case they went into the water. Just in case something would brake when we were driving along the river or driving down the stairs towards the water. There were always divers around but me and Martin had to go to a swimming pool in the evening and just practice moving the regulator and things like that.

You were driving very close to the river and also driving up the wall at the river.

Yes, we did the banking. We had to be there at about 80 mph to make it work. Otherwise the cars would fall down. I think you don’t get the impression in the film how steep that was. We had to be at certain speed otherwise it couldn’t stay upon the wall. That was always good fun.

Did you try that with Aston Martin DB10 from the beginning?

We had Aston Martin Vantage which had the same suspension put on as DB10 because it was a bit wider. We used it for most of our testing. That was ideal. Sometimes we had another car to play around with but generally we had Vantage to replicate DB10.

At what speed were you filming the car chase on streets of Rome?

It varied. Some section we were doing getting close to 80-90 mph when we could. A lot of the time we were restricted to what the tracking vehicles filming us could do. Me and Martin definitely could go faster but there was no point as going ahead of camera car. You work to the camera car. It depends on the shot. If you work to the camera car you work to that speed. I know that Gary Powell likes to carry speed so we were doing what we could when it was possible. There was some really good stuff that we did and it was really fast but it didn’t actually make it to the film. You don’t get the impression on that speed on certain cameras.

Did you drive Aston Martin DB10 with POD?

Aston Martin DB10 on 'Spectre' set in Rome.

Aston Martin DB10 cars on ‘Spectre’ set in Rome. First one with POD system.

Yes, I drove a little bit in some of the opening scenes of the car chase. I drove it in Rome as well. We did a bit of work on that. I’ve never been a fan of PODs. I don’t enjoy them. They don’t feel like real car at all, but they serve a pourpose. I had to be very careful when Daniel Craig was below.

There were some rumors in newspapers that Daniel Craig hit the roof when he was in the car with POD and had to go to a hospital. Was it true?

No, it was just exaggerated. We didn’t really know about that.

During the chase in Rome you jumped throgh the parked car.

The car landed really good. We thought that we may have damaged the suspension but it worked really good. I think we’ve done that shot two or three times. That was a good fun.

Was the car that lost its roof in that scene specially prepared?

There were preperations on the car. There were cuts. Sometimes they use different material for the roof as well because it could potentially come straight through the window. They are very safety conscious and they look at the best ways to make that work.

Then there was a funny scene with Fiat. Was it empty when you were hitting and pushing that small car?

No, there was always somebody in the car. I remember that my stunt coordinator said: ‘hit him harder’ and I did hit him really hard on one occasion. I know it hurt his neck quite a bit. A good friend of ours Dave Ware was driving the Fiat. We had reinforced bumber in the Aston and there was metal in the back of the Fiat so it was definitely quite a hard hit.

Did you also drive Aston Martin at Blenheim Palace in UK, where the sequence began?

Yes, I drove the Aston in Blenheim. It was a very simple shot but those were really difficult few days. Trying to get speed going backwards with the car on that gravel and on a slight hill was difficult. It was hard to get something that looked good. Then we ended up doing quite a lot of work on that POD car in which we never were going backward before. It was very frustrating few days. We were there for about three nights for that opening scene I think. Obviously when you turn back to the normal car it is very straight forward but the POD car is always a challange. It is automatic, the steering doesn’t react like we would like it to. You are very restricted to what you can see because you are in a cage. We had millions and millions of pounds of expensive cars around us that we definitely didn’t wanted to hit.

You jumped when you were going through the gate. Was there a ramp on a road?

No, that was just natural bump there and we got a bit into the air which looked great on the film.

Were you also driving in Austria?

I was there and I drove a POD car a couple of times. I didn’t do an awful lot of driving in Sölden but there were few bits where we just dived into cars. We did quite a lot of testing up there and beforehand. We were playing around and setting all the vehicles. I did more on the rehearsing but I was there for the whole duration of it all. I think we were there in total six or seven weeks.

Did you also play in some other scenes in ‘Spectre’?

As that was most of the driving sequence, there was also sequence with the new discovery from the helicopter.

Can you say anything about ‘No Time to Die’?

I can only discuss what has already been spoken about and on the trailer. Obviously Matera was a big challange in terms of the whole terrain. We had to use Coca Cola for better grip. There was quite a few scenes when we had to clean off the black rubber from the street as the Coke allowed the tyres to stick to road more. The Coca Cola did a better job than I’ve ever imagined it would do. We had certain parts where it gave us too much grip and we had to reduce te Coke spraying. We had one guy going around every morning laying down the Coke. Matera was a great location, very challenging place to drive, very narrow with big curbs everywhere. Then we had a really good scene up in Scotland. We also did some work in Norway. That is probably as much as I can talk about that film for now. I’m very excited how it is going to turn out when it eventually comes to the screen. This movie should be great. I’ve heard some very good reports about it.

Thank you for telling me all that great stories. I hope to talk with you again about ‘No Time to Die’ after the premiere.

January 15th 2021

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Interview with Martin Ivanov – stunt driver who has played in 4 James Bond films

20 Sunday Dec 2020

Posted by Piotr Zając in Martin Ivanov, No Time to Die, Quantum of Solace, Skyfall, Spectre

≈ 2 Comments

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interview, Martin Ivanov, No Time to Die, Quantum of Solace, Skyfall, Spectre, stunt double, stunt driver, stuntman

Martin Ivanov is a rally driver who became world famous stunt driver. He is well known for his stunts in James Bond films, as well as for doubling Matt Damon in Jason Bourne series and great performances in many action blcockbusters.

Interviev with Martin Ivanov

Interviev with Martin Ivanov

Piotr Zajac (bondlocations): Before you became stunt driver you were rally driver. You also drove a Formula 1 car. It was impressive how you drove under jumping truck (video).

Martin Ivanov: When I had a call from my client about this job I thought that it was once in a life time chance to drive a Formula 1 car. We went to former military air base. The first day in was raining all the time and it was really wet, so it was quite dangerous. On the next day it was dry, but still cold. The tires were cold, so there was not much grip. I had a few runs in Formula 1 car to get the filling, to get used to the clutch and steering wheel. It was quite easy because of all the systems in the car. I was driving up and down just for fun to try Formula 1 car for about 40 minutes or 1 hour. I was trying to make left turn as close as possible to the ramp. Then we went for a jump. I was supposed to cross in the middle of the truck. When the time of filming was coming closer and closer everyone in the team was getting more and more nervous. The director and the producer said that I could cross in front of the truck and thanks to special camera settings it would look like I was crossing under the truck. I said that we should do it for real, without any camera tricks. I had backup plan for safety. When I was driving I was watching if the truck was on the ramp and if the ramp was still in one piece. Everything was fine so I turned left. If anything would be wrong I would just go straight. After turning left I went on a small road on aside. It was covered with mud. The car spun, but I went back. Tires were ice cold and it was like 5 degrees celcius so I had no grip, especially in mud and in the puddle in Formula 1 car.

That was in 2014 when you were already known as James Bond stunt double. Your first 007 movie was ‘Quantum of Solace’. You were driving Aston Martin in the opening car chase sequence together with Ben Collins.

The sequence was mostly done by me. Ben did just a few fast straight runs. He did a little bit of the tunnel sequence at Lake Garda and a little bit of straight driving near Carrara. I did all of the action scenes like drifting or spinning in the tunnel and the whole part in Carrara quarry.

A few years ago I was in Carrara quarry. The road was rather bumpy like for off-road rallies. Did you have to repair Aston Martin quite often because of that?

Aston was surviving quite well. We had more problems with Alfa Romeo cars. There was a problem with engine, we had to cut tires for better grip.

Did you have special suspension and tires in Aston Martin for filming in Carrara?

We put spacers so it was a bit higher. We had winter tires, which were softer, better for loose gravel. That was it.

How long were you filming the whole car chase sequence?

We had a couple of weeks of testing and preparation. Then we were filming for over a month. At first at Garda Lake for a few weeks and then in Carrara for two or three weeks.

How did you film the part in the tunnel?

Everything was at first rehearsed and tested. It was mostly the scene with the truck that had a blown tire and pushed me into the wall. These were stunts with special effect rigs. There was not much space for improvising. They first shot me going through the traffic. Then we’ve spent a lot of time with going around the truck. It required probably three takes. It was quite difficult to spin 360 degrees in the narrow tunnel. We did it two times. When I was doing it the gearbox cable was snapping from the impact probably. I did 360 spin, I lost the door and I wanted to accelerate but I couldn’t change the gear because the cable was gone. It happened both times. After this spin there was another truck coming towards me but it was shot separately. In one take, which was actually in the movie, it was very close. I had no driver’s door and truck’s bumper was really close, so I could feel the wind from that.

Was Daniel Craig present on location? Did you film any scenes with him in a car at Garda Lake or in Carrara?

Mostly he was filmed in front of green screen in the studio, but he came few times on location. We had a car that we called Go Mobile. It was a platform with engine on which any car body could be placed. The stuntman was a driver and actor could play.

Did you drive this platform?

No. There was a driver sent from the company that rented that Go Mobile from USA.

How many Aston Martin cars did you have on set?

We had six or seven. Some of them were clean, some of them were damaged i.e. without driver’s doors. Some cars had special effects rigs to help in doing stunts.

Did you also play in other scenes except car chase?

All of the drivers played in the sequence with horse race in Siena. We were dressed like Italian horse race spectators. Daniel Craig was chasing Glen Foster. They were running and pushing people back. We were just those people who were standing on their way.

In ‘Skyfall’ you were fruit seller in the opening sequence in Istambul.

Yes. We were selling oranges with Ben Collins. We were running away when Audi was sliding and crashed into the table with oranges.

In what other scenes in ‘Skyfall’ were you involved?

I was mostly background driver.

You had much more work in ‘Spectre’. You were driving Jaguar C-X75 as Mr. Hinx. I’ve seen you in action in Rome. I was there at the Tiber river when you were filming final part of the car chase with Jaguar in fire and Aston Martin sinking in the river. How did you prepare for that scene?

We put protection on ebonite on Jaguar. There were gas tanks or something like that mounted in the car. When the fire from Aston hit the Jaguar the gas caught fire.

Was there any stunt driver in Aston Martin when it jumped into the river?

No, the car was on a cable. There was no engine in that car. It was filled with foam so it was not sinking fast.

I rember that one Jaguar was with POD system on the roof. Was it also you driving that?
Jaguar C-X75– Jaguar C-X75 with POD system on the roof on the ‘Spectre’ film set in Rome, Italy.

I was driving in POD on Jaguar. I remember that this POD was very strange. We were rehearsing for two or maybe more weeks just driving that POD and trying hand brakes, drifting. It was very hard to drive POD on the Jaguar. It didn’t work as we wanted. The steering was super heavy and not responsive. At the end we used it for maybe three hours one night and that was it. We just drove straight on the street. That was just a few seconds in the movie.

How is a steering wheel in POD connected to the steering system in the car?

There are different types. Usually we use hydraulic system. There is a pump at the steering wheel connected with hydraulic hoses to hydraulic actuator at the steering column. They are very heavy, sometimes they allow to turn more and sometimes less. Those with mechanical connection by shaft with joints between steering wheel in POD and steering column in the car are much easier to drive. You have the same feeling as driving normal car. Special effect engineers built electric one. I drove it. It was very strange. You don’t get the feeling. Sometimes it switches off because of a glitch and you have no steering. The best is POD with mechanical connection.

Did you have any technical problems with cars, especially when you were driving down the stairs? I know that gaps between stpas were filled with concrete, but still it was not smooth road.

On one take when I drove down the stairs I broke rear control arm so the wheel was turning itself. We didn’t have many other problems.

In ‘Spectre’ you were also driving Land Rover in Austria. Bobby Holland Hanton with whom I was talking a few months ago was one of your passenges. He said that it was ‘hair raising experience’ when the airplane hit the roof. Was it also scary from your perspective as a driver?

No. For me it was always too slow. Defenders were not very powerful. It was quite difficult to accelerate uphill. Especially when you are in mountains so there is less oxygen. Power drops down even more. It was difficult to make car chase in that slow car. Range Rover Sport was very powerful and fast, but Defenders were just dying.

I thought that they were specially prepared for the movie.

They were prepared, but the engine hasn’t been changed.

So you would prefere to drive Range Rover Sport.

I was supposed to be driving that car with Dave Bautista, but last night before the beginning of filming director Sam Mendes called stunt coordinator and said: ‘Martin can’t be Dave Bautista’s driver because he looks like an underwear model, not like a gangster’. Evangelos (Grecos) who was in the second Defender went to Range Rover and I was in Defender for the whole chase.

So in ‘Spectre’ you were driving Land Rover in Austria and Jaguar in Rome. Was it also you driving Jaguar at the Blenheim Palace in UK, where the beginning of the car chase was filmed?

No. I was still in Austria. That was someone else driving in UK.

You have also played in ‘No Time to Die’. I know that you are not allowed to reveal anything from the plot, but maybe you could tell something about filming scenes that we have already seen in trailers.

In trailers you could see a car chase that we were shooting in Norway and in Scotland. You could see me many times in trailers how I was doing that flip in Range Rover over Toyota. After that we went to Italy to Matera to shoot another car chase. I was driving black Jaguar there.

I’ve read the story about Coca Cola sprayed on the street to improve traction.

We used Coca Cola first on ‘Skyfall’ when we were shooting in the Grand Bazaar in Istanbul on marble tiles that were really slippery for the bikes. We were spraying Coca Cola on those tiles and we got better grip than on normal asphalt. In Matera all roads were made of stones and were very slippery. We had quad bike with big tank full of Coca Cola that was spraying it all over the street. As soon as you put Coca Cola you have so much grip that you can’t even drift.

Did you have to repeat spraying with Coca Cola every day?

It was repeated even during the day because after a few runs it was covered with dust and it was loosing the grip.

Thank you for the meeting and for sharing all the stories from James Bond films sets.

December 14th 2020

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Les Ambassadeurs Club in London - filming location known from "Dr. No". This is th eplace when Sean Connery said "Bond, James Bond" for the first time. The interior of teh Club was recreated in Pinewood Studios, but the exterior was filmed on location. Copyright Piotr Zajac @piotrzajacphoto
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